Tag Archives: Winterthur Museum

Research Never Tasted So Good

As the 2016 election season reaches its climax, one of our research fellows has provided us with a delicious treat to celebrate the occasion. Bryce Evans, senior lecturer in history at Liverpool Hope University, England, is researching the history of … Continue reading

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Reuniting Two Treaty Elm Vases

One of the more curious items in Winterthur’s collection is a carved wooden vase attributed to the Philadelphia carver George Magraph. The vase, or urn, which tilts slightly to the side due to warping over time, features vegetal carved decoration … Continue reading

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Wipe On, Wipe Off

How many hours does it take two interns to polish 137 pieces of silver spanning 12 rooms in what we have now affectionately termed the doll “mansion”? The answer: approximately 6 hours. The process is not particularly difficult but it … Continue reading

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The New South: Reflections on the Future of the Past

The Winterthur Program in American Material Culture (WPAMC) took our annual southern studies field trip recently. Since the last trip occurred, Catharine Dann Roeber has taken over as assistant professor of Decorative Arts and Material Culture, and I have stepped … Continue reading

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True Colors: Light Damage and Historic Needlework

This January, Winterthur acquired at auction a canvaswork picture associated with a group of needlework made in the Boston, Massachusetts, area. This embroidery, circa 1750, was created by Mary Perrin of Roxbury, Massachusetts. In many ways, the needlework is in … Continue reading

Posted in Academic Programs, antiques, Art Conservation, Conservation, Decorative Arts, museum collection, needlework, Students & Alumni, Textiles, Uncategorized | Tagged , , , , , , | Leave a comment


Not Your Average Cleaning

  Faced with the challenge of washing 42 windows one might think it would take at least a team of people a whole day to accomplish this task, but not when you have us on the job! Especially if those … Continue reading

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A Doll “Mansion”

Often the first reaction upon seeing Nancy McDaniel’s dollhouse is a gasp. It is a 6-foot-by-3-foot, slate- roofed, fully electrified dollhouse inspired by Queen Mary’s dollhouse in England, it was left to Winterthur when Nancy McDaniel passed away recently. We … Continue reading

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Exotic Woods and International Trade

The objects in the upcoming Made in the Americas exhibition tell about global trade and how it inspired artistic traditions around the world (see our previous blog post, Globalism and Culturally Inspired Craftsmanship). Furniture crafted from exotic tropical hardwoods is … Continue reading

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The Vicar & Moses

The humorous figure group and mug shown here probably were made in Staffordshire around 1800. They are two of five English ceramics at Winterthur that portray a popular 18th-century satirical theme known as “The Vicar and Moses.” The popular Vicar … Continue reading

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Sleuthing in Rare Books to Reveal an Art Lover’s Interest

  Unlike Henry Francis du Pont, most art collectors don’t leave records explaining why he or she decided to purchase one work of art or another.  Understanding demand for art during a particular time period can help scholars determine how … Continue reading

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