Ever wonder what a museum scientist does? This series of blog posts will shed light on the varied work of museum scientists and how their work impacts museum collections.
The University of Delaware and Winterthur Museum have worked together for 45 years. This partnership has resulted in the graduate-level Winterthur/University of Delaware Program in Art Conservation. The goal of this program is to educate and to train conservation professionals. This symbiotic relationship has created additional avenues of research, training, and collaborations for Winterthur Museum and the University of Delaware alike, whether it is instrumental analyses or archival access.
The third and final post in our series is from Dr. Jocelyn Alcántara-García and Dr. Marcie Wiggins, who both work in the Scientific Research and Analysis Laboratory (SRAL) at Winterthur.
Dr. Jocelyn Alcántara-García is an assistant professor in the Department of Art Conservation, University of Delaware. She teaches analytical techniques to WUDPAC graduate students alongside Winterthur scientists: “My primary research focuses on the study of textiles dyed with natural dyes, mostly related to the trade between the United Kingdom and United States, but I recently started to study pre-Columbian, archaeological, and Andean textiles. I am working on developing a completely nondestructive methodology for dye analysis.
I also advise graduate students who are specializing in paper, book, archaeological materials, or textiles, and I am the faculty advisor for Terrific Tuesdays, which takes place over the summer at Winterthur
Dr. Marcie Wiggins just completed her doctorate within the Department of Chemistry and Biochemistry at the University of Delaware under Dr. Jocelyn Alcántara-García. She will soon start a new position as a postdoctoral fellow at Yale’s Institute for the Preservation of Cultural Heritage: “With Winterthur scientists and Tsinghua University, I have studied the degradation of a common copper-based pigment, verdigris. We used imaging methods to identify pigments used in the Forbidden City and how they might have been manufactured.
I started on this career track because I knew I wanted to study chemistry but I was also interested in art. Initially I thought I wanted to be a conservator; however, after some years of practical experience, I realized my interests lay more in an analysis and research lab setting.”
You can learn more about the Winterthur and the University of Delaware Program in Art Conservation here: https://www.artcons.udel.edu/
Post by Dr. Rosie Grayburn, Associate Scientist and Head of the Scientific Research and Analytical Laboratory, Winterthur, Dr. Jocelyn Alcántara-García, assistant professor in the Department of Art Conservation, University of Delaware, and Dr. Marcie Wiggins.